Home Page > Featured Articles > Open-Mic at the Tampa Improv: An Inside Look
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Devember 29th, 2004
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Open-Mic at the Tampa Improv: An Inside Look
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A Great Night of Laughs at the Tampa Improv and One Writer's Attempt on Stage
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-D. Marvin


THE CHALLENGE

___One of our favorite partners, the Tampa Improv Comedy Club, features an open-mic night where the next Seinfeld or Sinbad hopeful can get his or her fifteen minutes, or in this case, five minutes, of fame. It is a joy to witness the variety of amateurs line-up and entertain, but to report on this I needed an inside look. What is it like to be behind the mic and face a crowd? I decided to personally find out.

___What was going through my head?

___ My friends and family know, and remind me, that public speaking is not my best talent. I had to tread with respect and do a little homework. Fortunately I have had the chance to meet some great comedians within the past few years, and as a closet-spotlight dreamer, have been taking mental notes all the while.

___So Wednesday, the night of December 29th, I went to the club, introduced myself to the other dozen or so comedians and decided to pick their brains between acts. They, like the MC and club owner, knew full-well why I was there, and none of them thought I was crazy to go up on stage myself. My first observation, even before conducting my first on-the-record interview, was that these were really polite and supportive people. Nor were they shy to answer my questions. It was like being a room of classy class clowns.

___Tony Gaud, whose name alone inspires conversational humor ("Not spelled G-O-D, otherwise I'd have good credit"), is the full-time MC at the Improv and an aspiring comedian. He is also the open-mic amateur wrangler and sole judge of the competition. Yes, as he made everyone quite well aware, unlike other venues, the open-mic night at the Tampa Improv is a competition. The prize: $100 and another shot on stage. The fee: $25, or just $10 if the comedian brings ten or more friends.

___"This is ground zero, this is where the comic starts," Tony told me beforehand. "You take a while, do open-mics over and over again and get on stage a much as possible to hone your set. Generally, it takes a comic an average of five to ten years to develop their voice onstage. That's hard work."

___Tony, who himself has been "doing comedy" for about six years, started at the Improv as a doorman and tried his hand at open-mic night. Now he conducts about seven shows a week between Wednesday and Saturday as MC.

___I asked him what it takes to go on stage (after all, had about twenty minutes before I was going up myself).

___"You've got to love it," he said. But there are guidelines. "You get five minutes a piece... original material, clean material --no blue material." And the second your five minutes are up, he said, they turn the mic off.

___With all the pressure involved with what I just learned --is my show clean enough? can I be done in five minutes? do I really love comedy or am I just curious?-- I gazed into the crowd an noted that there were over three hundred adults who paid good money to be entertained. Was I nervous? I felt okay. Was I slightly trembling because I always get a rush interviewing, or was I suffering from acute stage fright? I knew it was time to talk to a few of the competitors to see how they were feeling.

THE PLAYERS

___James Choquette, a young adult about my own age, was the first one who wanted to speak a few words about being an aspiring comedian. I won't list the personal dating information he wanted to be included in the story (sorry James, perhaps they'll someday start a "Tampa's Homepage Personals" section). He did say that he had always been the "funny guy" in the family and seemed pretty serious about entertaining others. This was his "fifth or sixth time doing this".

___Carolyn Fields, originally from Tampa, was visiting her family over the holidays and was giving them their first look at her act. She was very social and appeared very at home among the other comedians. I wanted to know what open-mic competitions were like outside of Tampa, and she told me how she thought she had "bombed" at a show in Phoenix.

___"I thought I did really bad, and I left the stage in a haste," she said. "I put the mic up, went back stage and I went home. I get a call from the guy two days ago and he said 'We're getting all the winners back. You won!'" You never know, I guess.

___"Try", who did not want me to use his real name, let me know he had been involved with comedy "on and off about a year and a half, two". He had won a radio competition to open up for Mark Curry; unfortunately that show started too late for him to get onstage. 

___Tony Bowker, while relatively new to comedy, had the demeanor of someone comfortable and accustomed to his trade. He had done comedy eight months prior at the Tampa Improv and then "some improv stuff in Miami and really got into it". His advice for comedy covers many subjects: "No matter how badly you do, just keep at it."

___Andrew Shultz, the only "first-timer" besides myself, was not a stranger to crowds. Having recently been on the PBA (Professional Bowling) Tour and having done some MC work for them, Andrew was surprisingly calm.

___"I'll give it a shot," he said. "If they laugh they laugh!"

THE SHOW

__I won't personally review their performances, especially because 1) they were amateurs and 2) I was sub-amateur. I will say that I was delighted how well they did as a whole. Most were quite comfortable onstage and all had the audience laughing hard about something. A few did give very notable performances and told jokes that still linger in my head.

___As for myself, I had a blast. I accepted the butterflies as would an adrenaline junkie and started my much-practiced routine as if in front of the bathroom mirror. They sit so close to the stage! I thought. I'm sure the more comfortable I tried to appear, to more it looked like I wasn't. There's little time to think. I sat back inside my head and listened as the words poured out. They say every fighter has a plan until they get hit, and my hit was my first audience-wide laugh. Of course laughter is the point, but when that first big response came I realized then why they, the amateurs, go up every chance they can. It clicked. I got my "big answer" in the first ten seconds, and had four minutes and fifty seconds to go. Whether I did well or not, I left the stage smiling.

___The winner of the competition was a charismatic man with the handle "Goldiee". I didn't get to interview him, but we promised to catch up later.

___I found first-timer Andrew Schultz as the crowd was leaving and asked him what he thought of his performance.

___"I had a lot of adrenaline, and ad-libbed for the first half. It just sort of came to me," he said. I asked him would he do it again. "Definitely," he replied.

HOW TO BE A PART

___Tony Gaud, the MC, says that comedians need to check the paper, visit their website, call the club for details, or just stop by. "If you're interested in comedy, you'll go to the club"

___The next open-mic night is January 26th, 2005.

___To the audience members: thank you for supporting live comedy in Tampa. Tell your friends to come out and have an enjoyable evening of entertainment!

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